While this selection of little musical gemstones is probably best known for it's educational purposes in the keyboard world, this music can take on much more depth and poetry in the hands of a sympathetic interpreter such as the Belgian guitarist Jan Depreter. Compiled in 1725, the notebook is an intensely personal and charming compendium of favorite pieces played on a daily basis in the Bach household, from early-morning practice sessions to nighttime lullabies and consolations. For generations of music enthusiasts, Anna-Magdalena's Notebook has provided an introduction to the music of Johann Sebastian Bach and offered a unique insight into the musical life and character of the Bach family, as well as a rare glimpse of 18th-century domestic music making. The manuscript is arranged not in graded levels of technical difficulty but according to an artistic plan, beginning with the prelude from Johann Sebastian's A minor Partita and ending with the chorale O Ewigkeit, du Donnerwort, taking in along the way the Aria from the Goldberg Variations as well as short pieces by his sons and ancestors. The aria from the cantate Ich habe genug!, shows how even highly organized compositions were freely adapted to fit a more intimate performance. The German gitarre-und-laute. de site praised Depreter's previous Brilliant Classics album for it's 'flawless and beautiful' playing of the complete guitar music by JoaquĆ­n Turina. He is an experienced professor of guitar based in his home city of Antwerp, and this album is the result of 20 years' study and performance, being the combination of sessions that took place in 1999 and 2019. In whichever guise, the KlavierbĆ¼chlein 'brings back some tranquility and serenity to counterbalance the hectic struggle that is often modern-day life,' says Depreter. 'It is the kind of music I would like to hear myself when coming home. '
While this selection of little musical gemstones is probably best known for it's educational purposes in the keyboard world, this music can take on much more depth and poetry in the hands of a sympathetic interpreter such as the Belgian guitarist Jan Depreter. Compiled in 1725, the notebook is an intensely personal and charming compendium of favorite pieces played on a daily basis in the Bach household, from early-morning practice sessions to nighttime lullabies and consolations. For generations of music enthusiasts, Anna-Magdalena's Notebook has provided an introduction to the music of Johann Sebastian Bach and offered a unique insight into the musical life and character of the Bach family, as well as a rare glimpse of 18th-century domestic music making. The manuscript is arranged not in graded levels of technical difficulty but according to an artistic plan, beginning with the prelude from Johann Sebastian's A minor Partita and ending with the chorale O Ewigkeit, du Donnerwort, taking in along the way the Aria from the Goldberg Variations as well as short pieces by his sons and ancestors. The aria from the cantate Ich habe genug!, shows how even highly organized compositions were freely adapted to fit a more intimate performance. The German gitarre-und-laute. de site praised Depreter's previous Brilliant Classics album for it's 'flawless and beautiful' playing of the complete guitar music by JoaquĆ­n Turina. He is an experienced professor of guitar based in his home city of Antwerp, and this album is the result of 20 years' study and performance, being the combination of sessions that took place in 1999 and 2019. In whichever guise, the KlavierbĆ¼chlein 'brings back some tranquility and serenity to counterbalance the hectic struggle that is often modern-day life,' says Depreter. 'It is the kind of music I would like to hear myself when coming home. '
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J.S. Bach: Klavierbüchlein Für Anna-Magdalena Bach 1725
Artist: Jan Depreter
Format: CD
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1. Wachet Auf, Ruft Uns Die Stimme, Bwv 140, 645
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2. Choral No. 42, Bwv 513: I. O Ewigkeit, Du Donnerwort
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3. Aria No. 41, Bwv 509: I. Gedenke Doch, Dein Geist Zurücke
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4. Menuet, Bwv Anhang 113
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5. Marche, Bwv Anhang 127
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6. Polonaise, Bwv Anhang 128
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7. Musette No. 22, Bwv Anhang 126
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8. Gib Dich Zufrieden Und Sei Stille, Bwv 510
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9. Bwv512 Gib Dich Zufrieden Und Sei Stille, Bwv 512
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10. Marche No. 16, Bwv Anhang 122, Polonaise No. 17, Bwv Anhang 123, Marche No. 18, Bwv Anhang 124, Polonaise No. 19, Bwv Anhang 125
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11. Rondeau No. 32, Bwv 131
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12. Prelude No. 29, Bwv 846
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13. Wie Wohl Ist Mir, O Freund Der Seelen, Bwv 517
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14. Aria No. 33, Warum Betrübst Du Dich, Bwv 516
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15. Menuet Fait Par Mons. Böhm
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16. Choral No. 39, Dir, Dir, Jehova, Will Ich Singen, Bwv 299
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17. Bist Du Bei Mir, Bwv 508
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18. Polonaise, Bwv Anhang 130
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19. Rezitativ, Bwv 82/2, Ich Habe Genug!
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20. Aria No. 34/38, Bwv 82/3, Schlummert Ein, Ihr Matten Augen
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21. Choral No. 11, Bwv 691 Wer Nun Den Lieben Gott Lässt Walten
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22. Rondeau No. 6 "Les Bergeries", Bwv Anhang 183
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23. Menuet Nos. 4-5, Bwv Anhang 114-115
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24. Aria No. 20, Bwv 515a, So Oft Ich Meine Tobackspfeife
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25. Marche No. 16 Bwv Anhang 122
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26. Menuet No. 14 Bwv Anhang 120
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27. Menuet No. 7 Bwv Anhang 116
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28. Choral No. 35, Bwv 514, Schaff's Mit Mir, Gott
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29. Aria Di Giovannini No. 37, Bwv 518, Willst Du Dein Herz Mir Schenken
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30. Menuet Nos. 36-15, Bwv Anhang 132-121
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31. Aria No. 26 "Goldberg", Bwv988/1
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More Info:

While this selection of little musical gemstones is probably best known for it's educational purposes in the keyboard world, this music can take on much more depth and poetry in the hands of a sympathetic interpreter such as the Belgian guitarist Jan Depreter. Compiled in 1725, the notebook is an intensely personal and charming compendium of favorite pieces played on a daily basis in the Bach household, from early-morning practice sessions to nighttime lullabies and consolations. For generations of music enthusiasts, Anna-Magdalena's Notebook has provided an introduction to the music of Johann Sebastian Bach and offered a unique insight into the musical life and character of the Bach family, as well as a rare glimpse of 18th-century domestic music making. The manuscript is arranged not in graded levels of technical difficulty but according to an artistic plan, beginning with the prelude from Johann Sebastian's A minor Partita and ending with the chorale O Ewigkeit, du Donnerwort, taking in along the way the Aria from the Goldberg Variations as well as short pieces by his sons and ancestors. The aria from the cantate Ich habe genug!, shows how even highly organized compositions were freely adapted to fit a more intimate performance. The German gitarre-und-laute. de site praised Depreter's previous Brilliant Classics album for it's 'flawless and beautiful' playing of the complete guitar music by JoaquĆ­n Turina. He is an experienced professor of guitar based in his home city of Antwerp, and this album is the result of 20 years' study and performance, being the combination of sessions that took place in 1999 and 2019. In whichever guise, the KlavierbĆ¼chlein 'brings back some tranquility and serenity to counterbalance the hectic struggle that is often modern-day life,' says Depreter. 'It is the kind of music I would like to hear myself when coming home. '