Pianist Antonio Oyarzabal takes us on a journey through the work of thirteen different female composers, most of them pianists. Their pieces have been a real source of motivation and inspiration for him. Here he pays tribute to the names and work of these women, unfairly and sadly neglected, in the shadow of compositions written by men. It is a musical journey that takes us on different paths: from Jacquet de la Guerre's French Baroque style to the avant garde proposals of Ruth Crawford Seeger in the beginning of the XXth century; from Lili Boulanger's languor to Germaine Tailleferre's constant joviality; or from the more popular Clara Schumann and Fanny Mendelssohn to the almost completely unknown Mana Zucca or Lucija Garuta. All of this is expressed by the extraordinary sensitivity of a performer who, through long and intense research, has dived deep into the life and historical context of these thirteen unique artistic voices, in order to provide them with the relevance they deserve.
Pianist Antonio Oyarzabal takes us on a journey through the work of thirteen different female composers, most of them pianists. Their pieces have been a real source of motivation and inspiration for him. Here he pays tribute to the names and work of these women, unfairly and sadly neglected, in the shadow of compositions written by men. It is a musical journey that takes us on different paths: from Jacquet de la Guerre's French Baroque style to the avant garde proposals of Ruth Crawford Seeger in the beginning of the XXth century; from Lili Boulanger's languor to Germaine Tailleferre's constant joviality; or from the more popular Clara Schumann and Fanny Mendelssohn to the almost completely unknown Mana Zucca or Lucija Garuta. All of this is expressed by the extraordinary sensitivity of a performer who, through long and intense research, has dived deep into the life and historical context of these thirteen unique artistic voices, in order to provide them with the relevance they deserve.
8436597700061
La Muse Oubliee / Various
Artist: La Muse Oubliee / Various
Format: CD
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DISC: 1
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1. Prelude, Op. 73
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2. 2 Piano Pieces, Op. 54: No. 1, Scottish Legend
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3. Phoebé, Op. 30
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4. Desdémona, Op. 101
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5. Viviane, Op. 80
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6. Mélisande, Op. 109
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7. Pièces De Clavecin, Book 1: Gavotte In A Minor
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8. Pièces De Clavecin, Book 2 (Excerpts): Rigaudon I In D Minor
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9. Pièces De Clavecin, Book 2 (Excerpts): Rigaudon II In D Major
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10. Pièces De Clavecin, Book 2 (Excerpts): Menuet In G Major
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11. Pièces De Clavecin, Book 2 (Excerpts): Rondeau In G Minor
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12. Klavierstück In E Major
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13. 3 Romances, Op. 21: No. 1, Andante
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14. 3 Romances, Op. 21: No. 2, Allegretto
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15. 3 Romances, Op. 21: No. 3, Agitato
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16. 3 Morceaux: No. 1, D'un Vieux Jardin
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17. 3 Morceaux: No. 2, D'un Jardin Clair
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18. 3 Morceaux: No. 3, Cortège
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19. Esquisses D'une Après Midi Basque: No. 1, Vers Le Bois
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20. Esquisses D'une Après Midi Basque: No. 2, L'écho Dans La Montagne
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21. Esquisses D'une Après Midi Basque: No. 3, Sous Le Vieux Roble
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22. Esquisses D'une Après Midi Basque: No. 4, La Petite Fleur Solitaire
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23. Esquisses D'une Après Midi Basque: No. 5, Un Souvenir D'usandizaga - Au Bord Du Ruisseau
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24. Esquisses D'une Après Midi Basque: No. 6, Retour À La Maison
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25. Pastorale In C Major
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26. 2 Pièces: No. 1, Larghetto
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27. 2 Pièces: No. 2, Valse Lente
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28. Prelude No. 6
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29. Prelude In E Major
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30. April Preludes, Op. 13: No. 1, Allegro Ma Non Troppo
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31. April Preludes, Op. 13: No. 2, Andante
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32. April Preludes, Op. 13: No. 3, Andante Semplice
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33. April Preludes, Op. 13: No. 4, Vivo
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34. 3 Mélodies, Op. 4: No. 2 In C-Sharp Minor, H-U 420
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More Info:

Pianist Antonio Oyarzabal takes us on a journey through the work of thirteen different female composers, most of them pianists. Their pieces have been a real source of motivation and inspiration for him. Here he pays tribute to the names and work of these women, unfairly and sadly neglected, in the shadow of compositions written by men. It is a musical journey that takes us on different paths: from Jacquet de la Guerre's French Baroque style to the avant garde proposals of Ruth Crawford Seeger in the beginning of the XXth century; from Lili Boulanger's languor to Germaine Tailleferre's constant joviality; or from the more popular Clara Schumann and Fanny Mendelssohn to the almost completely unknown Mana Zucca or Lucija Garuta. All of this is expressed by the extraordinary sensitivity of a performer who, through long and intense research, has dived deep into the life and historical context of these thirteen unique artistic voices, in order to provide them with the relevance they deserve.